Jessica Falconi
Literatures and Cultures of the Indian Ocean
Abstract:
Portuguese Studies is a biannual multi-disciplinary journal dedicated to research on the cultures, literatures, history, and societies of the Lusophone world. Ana Mafalda Leite, Elena Brugioni, and Jessica Falconi were the organizers of this issue of the journal, Literatures and Cultures of the Indian Ocean. The president of the Editorial Board for 2021 is Catarina Fouto, and the Journals editor is Emanuelle Rodrigues Dos Santos. The journal is published by the Modern Humanities Research Association (MHRA), an international organization with members in all parts of the world. The aim of the Association is to encourage and promote advanced study and research in the field of modern humanities. It is concerned to break down barriers between scholars working in different disciplines and to maintain the unity of humanistic scholarship in the face of increasing specialization. The present volume results frorn the scholarly work conducted by members of the research project NILUS — Narratives Ofthe Indian Ocean in the Lusophone Space. The main purpose of the project consisted in establishing a theoretical and disciplinary connection between Lusophone Literary, Visual and Cultural Studies and the transdisciplinary field Of Indian Ocean Studies. The project on the written and visual narratives hailing from, or related to, the territories formerly colonized by Portugal along the Indian Ocean, specifically Mozambique, Goa, and East Timor. This volume, therefore, constitutes an attempt to bridge a significant critical and disciplinary gap, motivated by an almost total lack of dialogue among the above-mentioned fields of study. This lack of dialogue becomes ever more apparent if we bear in mind the increasingly central role played by historical, anthropological, literary, and cultural studies of the Atlantic Ocean in addressing colonial and postcolonial cultural and identity-related outputs and relations from the territories that Out Of Portuguese colonial rule. Consider, for instance, the influence of the notion of Brown Atlantic (Atlântico Pardo), de,’eloped by the anthropologist Miguel Vale de Almeida as a counterpoint to Paul Gilroy’s Black Atlantic, or the use of the Portugal -Brazil-Angola triangulation in comparative and transnational- oriented literary and cultural studies.4
Quotation:
Leite, A.M.; Brugioni, E. & Falconi, J. (2021) (eds). “Literatures and Cultures of the Indian Ocean”, Portuguese Studies 37.2.
Enchanted Things to Narrate the Oceans: João Paulo Borges Coelho and Luís Cardoso
Abstract:
Enchanted Things to Narrate the Oceans: João Paulo Borges Coelho and Luís Cardoso stems from the research developed under the NILUS project and, in particular, falls within the research strand that explored the role of material culture and materiality in contemporary narratives of the Lusophone Indian Ocean. The paper focuses on the short story ‘O Pano Encantado’ (2005) by João Paulo Borges Coelho and the novel Requiem para o Navegador Solitário (2007) by Luís Cardoso – two narratives set in island spaces, the small island of Mozambique and the island of Timor, respectively. It aims to validate the hypothesis that the appeal to material culture and materiality offers a way of narrating and remembering (in) the Indian Ocean from different shores of its range. The article was produced for the Modern Humanities Research Association (MHRA), an international organization with members in all parts of the world. The aim of the Association is to encourage and promote advanced study and research in the field of modern humanities. It is concerned to break down barriers between scholars working in different disciplines and to maintain the unity of humanistic scholarship in the face of increasing specialization.
Quotation:
Falconi, J. (2021). Enchanted Things to Narrate the Oceans: João Paulo Borges Coelho and Luís Cardoso. Portuguese Studies, 37(2), 224–241. https://doi.org/10.5699/portstudies.37.2.0224
Beyond Nationhood: Other ‘Declensions’ in African Literatures
Abstract:
In the last two decades, Portuguese-speaking African literature, as a field of critical inquiry and object of academic study,1 has been undergoing a great expansion, with numerous dissertations, monographs, conference proceedings, special issues of journals, and articles produced in several countries. The article Beyond Nationhood: Other ‘Declensions’ in African Literatures traces the evolution of the national perspective in the studies of Lusophone African Literatures from the 1980s to the present. Based on a selection of collective and individual publications, as well as highlighting impor tant academic events for the area, the article seeks to identify lines of continuity and moments of rupture in the approach of these literatures based on the idea of Nation as a critical category and unity of analysis, from the consolidation of the link between literature and national independence affirmed after decolonization until the reception of post-colonial theories which occurred in the mid-1990s. Also, the article looks at the theoretical and disciplinary articulations between African Literature, Postcolonial Studies, Indian Ocean Studies and Comparative Litera tures, to provide a possible mapping of the most recent approaches that seek to build new critical cartographies for the studies of these literatures.
Quotation:
Falconi, J. (2021). Beyond Nationhood: Other ‘Declensions’ in African Literatures. Abriu: Estudos De Textualidade Do Brasil, Galicia E Portugal, (10), 9–38. https://doi.org/10.1344/abriu2021.10.1
Literatura colonial de autoria feminina: O Último Batuque, de Maria do Céu Coelho
Abstract:
Portuguese colonial literature written by women has received little attention in Lusophone literary and cultural studies. The most relevant exception, in this regard, is the case of Maria Archer, author of a significant number of fiction and non-fiction texts of colonial setting and theme that have received diverse readings and analyses. In particular, Ferreira’s works on women’s authorship writing and the connections between gender, nation and empire were pioneers in approaching this production according to an integrated theoretical framework, capable of illuminating material and symbolic transits and identity reverberations between nation and empire, in line with the paradigms of colonial and feminist historiography of the 1990s. Literatura colonial de autoria feminina: O Último Batuque, de Maria do Céu Coelho, aims to deepen and broaden the knowledge of Portuguese women’s writing on colonial themes, by providing a reading of the book O último batuque (1963) by Maria do Céu Coelho, published in Mozambique in the early 1960s. It is a singular work, for focusing on the eminently masculine topic of hunting from a woman’s perspective, and also for being a hybrid book that combines memorialistic writing and short novellas about the rural universe of colonial Mozambique. The paper discusses some of the essential characteristics of Portuguese colonial literature, as it has been conceptualized by several authors in previous studies. Resorting also to the vast literature on the articulations between gender, empire, and colonialism, the article seeks to equate the author’s position in the corpus of colonial literature, as well as to reflect on how her literary writing articulates race and gender.
Quotation:
Falconi, Jessica (2021) “Literatura colonial de autoria feminina: O Último Batuque, de Maria do Céu Coelho,” Portuguese Cultural Studies: Vol. 7: Iss. 1, Article 4.
Declinações: Identidades de Género e Construção da Nação em Filmes de Licínio Azevedo
Abstract:
Declinações: Identidades de Género e Construção da Nação em Filmes de Licínio Azevedo addresses the representation of gender differences in nation building in Mozambique in two fiction films by Brazilian-Mozambican filmmaker Licínio Azevedo, namely: Virgem Margarida (2012) and Comboio de Sal e Açúcar (2017). Focusing on different moments in the history of Mozambique, the films address little explored aspects of the crises and the historical, political, social and cultural changes experienced by the new independent country. Virgem Margarida focuses, in particular, on the experience of the re-education camps lived by women, while in Comboio de Sal and Açúcar the male characters of the Frelimo army involved in the civil war stand out. The two films bet on a representation of the genders – understood as social and cultural constructions – able to account for their differences, thus shattering, on the one hand, the monolithic image of women, and on the other, the Mozambican national identity itself. The films represent several possible “decliNations”, understood here in accordance with the multiple meanings of the word: refusals, deviations, or even “flexions of gender, number”, etc., of the Nation.
Quotation:
Falconi, J. (2019). Declinações: Identidades de Género e Construção da Nação em Filmes de Licínio Azevedo. Perspectiva Histórica 13: 81-105. http://www.perspectivahistorica.com.br/revistas/1563933990.pdf“
Entre silêncios e interferências: mulheres na imprensa colonial
Abstract:
In Entre silêncios e interferências: mulheres na imprensa periódica colonial we adress the presence of women in the colonial periodical press of the former Portuguese Empire means trying to define, even if only provisionally, the main aspects of the “object” of reflection proposed in the present dossier. Firstly, by proposing a joint approach, under the term “colonial”, of the periodical press published both in the former metropolis and in the various spaces colonised by Portugal, we point to some perspectives of the historiography on European colonialisms which have been shattering polarized visions, analysing the social and political reverberations between metropolis and colonies, the transits of ideas and imaginaries, as well as the “manufactured” dimension of the difference (Burton 1994; Cooper and Stoler 1997). The dossier results from the panel “The ‘women’ and the colonial periodical press” organized in the framework of the International Congress Politics and Culture in the Colonial Periodical Press, which took place from 22 to 25 May 2017, near the CHAM-Centre of Humanities of the New University of Lisbon, in partnership with the CEI-IUL-Centre of International Studies of ISCTE-Instituto Universitário de Lisboa and the CEC-Centre of Comparative Studies of the Faculty of Letters of the University of Lisbon. The Congress was an initiative of the International Study Group of the Colonial Periodical Press of the Portuguese Empire, created by Sandra Ataíde Lobo (CHAM-UNL), Adelaide Vieira Machado (CHAM-UNL) and Cátia Miriam Costa (CEI-IUL). Various entities and researchers from different research centres have joined the Group.
Quotation:
“Falconi, J.; Wieser, D. (2019). Entre silêncios e interferências: mulheres na imprensa periódica colonial, Revista ex aequo- Revista da Associação Portuguesa de Estudos sobre as Mulheres, n. 39. https://doi.org/10.22355/. exaequo.2019.39.01.10.22355/”
Voices, Languages, Discourses: Interpreting the present and the memory of Nation in Cape Verde, Guinea-Bissau and São Tomé and Príncipe
Abstract:
Voices, Languages, Discourses: Interpreting the Present and the Memory of Nation in Cape Verde, Guinea-Bissau and São Tomé and Príncipe brings together a selection of interviews with writers and filmmakers from Cape Verde, Guinea-Bissau and São Tomé and Príncipe in order to examine representations and images of national identity in these countries’ postcolonial narratives. It continues and completes the exploration of the postcolonial imaginary and identity of Portuguese-speaking Africa presented in the previous interview volume Speaking the Postcolonial Nation: Interviews with Writers from Angola and Mozambique (2014). Memory, history, migration and diaspora are central notions in the recreation and reconceptualisation of the nation and its identities in Cape Verdean, Guinean and São Tomense literary and film culture. By bringing together different generations of writers and filmmakers, with a wide variety of perspectives on the historical, social and cultural changes that occurred in their countries, this book makes a valuable contribution to current debates on post-colonialism, nation and identity in these former Portuguese colonies.
Quotation:
Leite, A., M., Falconi, J., Krakowska, K., Kahn, S., Secco, C. (2020). Voices, Languages, Discourses: Interpreting the Present and the Memory of Nation in Cape Verde, Guinea-Bissau and São Tomé and Príncipe. Oxford, United Kingdom: Peter Lang Verlag. Retrieved Oct 6, 2022, from https://www.peterlang.com/document/1055586
